How the F1 movie filmed live Grand Prix weekends with custom tech

The new F1 movie filmed on live Grand Prix weekends, putting Brad Pitt and Damson Idris in custom‑built cars to capture genuine race‑day sound and action. Production used motorsport‑grade RF transmitters, 16 4K remote camera rigs and a bespoke software suite to sync audio, video and telemetry in real time, earning Critics' Choice Awards for editing and sound.

Why it matters:

• It sets a new bar for sports cinema, delivering the roar and chaos of a real race that fans have never seen on screen.
• The tech crossover shows motorsport hardware can be repurposed for filmmaking, creating fresh revenue paths for both industries.

The details:

• Audio: Production sound manager Gareth John used Siemens RF and Cobham video transmitters to pull driver dialogue and car noise despite heavy radio interference.
• Camera: Sixteen 4K remote units with pan‑tilt‑zoom were mounted on the actors’ cars, beaming live feeds to receivers around the circuit via custom RF links.

What's next:

• The workflow is being pitched for future motorsport productions, promising tighter integration with live events.
• F1 teams are testing similar setups for their own media, potentially offering fans real‑time driver‑cam streams on streaming platforms.